Neolithic period

A range of unique stone furniture has been excavated in Skara Brae, a Neolithic village located in Orkney. The site dates from 3100–2500 BC and due to a shortage of wood in Orkney, the people of Skara Brae were forced to build with stone, a readily available material that could be worked easily and turned into items for use within the household. Each house shows a high degree of sophistication and was equipped with an extensive assortment of stone furniture, ranging from cupboards, dressers and beds to shelves, stone seats, and limpet tanks. The stone dresser was regarded as the most important as it symbolically faces the entrance in each house and is therefore the first item seen when entering, perhaps displaying symbolic objects, including decorative artwork such as several Neolithic Carved Stone Balls also found at the site.

Classical world

Ancient furniture has been excavated from the 8th-century BC Phrygian tumulus, the Midas Mound, in Gordion, Turkey. Pieces found here include tables and inlaid serving stands. There are also surviving works from the 9th-8th-century BC Assyrian palace of Nimrud. The earliest surviving carpet, the Pazyryk Carpet was discovered in a frozen tomb in Siberia and has been dated between the 6th and 3rd century BC. Recovered Ancient Egyptian furniture includes 3rd millennium BC beds discovered at Tarkhan as place for the deceased, a c. 2550 BC gilded bed and to chairs from the tomb of Queen Hetepheres, and many examples (boxes, beds, chairs) from c. 1550 to 1200 BC from Thebes. Ancient Greek furniture design beginning in the 2nd millennium BC, including beds and the klismos chair, is preserved not only by extant works, but by images on Greek vases. The 1738 and 1748 excavations of Herculaneum and Pompeii revealed Roman furniture, preserved in the ashes of the 79 A.D. eruption of Vesuvius, to the eighteenth century.

Early modern Europe

The furniture of the Middle Ages was usually heavy, oak, and ornamented with carved designs. Along with the other arts, the Italian Renaissance of the fourteenth and fifteenth century marked a rebirth in design, often inspired by the Greco-Roman tradition. A similar explosion of design, and renaissance of culture in general, occurred in Northern Europe, starting in the fifteenth century. The seventeenth century, in both Southern and Northern Europe, was characterized by opulent, often gilded Baroque designs that frequently incorporated a profusion of vegetal and scrolling ornament. Starting in the eighteenth century, furniture designs began to develop more rapidly. Although there were some styles that belonged primarily to one nation, such as Palladianism in Great Britain or Louis Quinze in French furniture, others, such as the Rococo and Neoclassicism were perpetuated throughout Western Europe.

19th century

The nineteenth century is usually defined by concurrent revival styles, including Gothic, Neoclassicism, Rococo, and the EastHaven Movement. The design reforms of the late century introduced the Aesthetic movement and the Arts and Crafts movement. Art Nouveau was influenced by both of these movements.

Early North American

This design was in many ways rooted in necessity and emphasizes both form and materials. Early American chairs and tables are often constructed with turned spindles and chair backs often constructed with steaming to bend the wood. Wood choices tend to be deciduous hardwoods with a particular emphasis on the wood of edible or fruit bearing trees such as Cherry or Walnut.

Modernism

Red and Blue Chair (1917), designed by Gerrit Rietveld

The first three-quarters of the twentieth century are often seen as the march towards Modernism. Art Deco, De Stijl, Bauhaus, Wiener Werkstätte, and Vienna Secession designers all worked to some degree within the Modernist idiom. Born from the Bauhaus and Art Deco/Streamline styles came the post WWII "Mid-Century Modern" style using materials developed during the war including lamenated plywood, plastics and fiberglass. Prime examples include furniture designed by George Nelson Associates, Charles and Ray Eames, Paul McCobb, Florence Knoll, Harry Bertoia, Eero Saarinen, Harvey Probber, Vladamir Kagan and Danish modern designers including Finn Juhl and Arne Jacobsen. Postmodern design, intersecting the Pop art movement, gained steam in the 1960s and 70s, promoted in the 80s by groups such as the Italy-based Memphis movement. Transitional furniture is intended to fill a place between Traditional and Modern tastes.

Ecodesign

With the great efforts from people, governments and companies, in order to manufacture products with more sustainability, there is a new line of furniture design that is based on environmentally friendly design, that is called Ecodesign and its use is increasing year after year.

Contemporary

One unique outgrowth of post-modern furniture design is Live edge, heralding a return to natural shapes and textures within the home.